What’s amusing about this whackjob is that his end-of-days formula acknowledges the 80’s synth-pop of Anthony Burgess’ Heaven 17 (I’m partial to “Lady Ice and Mr. Hex” myself), whose origin may indeed lie elsewhere.
January 9th, 2011 § 0 comments
What’s amusing about this whackjob is that his end-of-days formula acknowledges the 80’s synth-pop of Anthony Burgess’ Heaven 17 (I’m partial to “Lady Ice and Mr. Hex” myself), whose origin may indeed lie elsewhere.
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