I’ve been hoping the writer of Signal and Kingdom would deliver again with 지리산, but the time traveling ghost story so far has neither the pace of a Netflix season nor sufficient serial killer count; then here comes fabulous fifty-year-old Lady Vengeance 이영애 (with ten years on Sassy Girl 전지현
herself) in a take on Killing Eve that’s at least a decade too early for it to please the shippers yet does a slick job aping its style, right down to the soundtrack, with only the usual anime/webtoon trappings of K-drama holding it back. 근데 왜 나 알은척 안 하니?
herself) in a take on Killing Eve that’s at least a decade too early for it to please the shippers yet does a slick job aping its style, right down to the soundtrack, with only the usual anime/webtoon trappings of K-drama holding it back. 근데 왜 나 알은척 안 하니?
Update: That was two episodes in, I still haven’t seen a more stunning moment than that one at the end of them, and with only two to go, I’m handily convinced this is my favorite series of the year. Korean one, ever, for sure, the Oldboy joke and the Chun Doo-hwan certificate framed on the wall of the old-timer sealed it.
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