Spate of new-ish programming lately that’s kept me powering through the interminably repetitive weeks: From is back and as abstruse as ever; Matt U. assured me there’s a supernatural component to Yellowjackets, so I gave in to see what all the hoopla is about; Mrs. Davis, Damon Lindelof’s latest romp, about an omnipresent AI that is actually hardly around; Rabbit Hole, which really should’ve gone where its title suggests but instead seems like a worse version of Mrs. Davis; and the superior spy show with the MI5 rejects in “Slough House.” Gary Oldham’s Jackson Lamb is the freshest character I’ve seen in some time.
Apple’s been picking some winners lately, so I gave Silo a shot, and the scene with Rebecca Ferguson climbing toward answers at the end of the second episode must’ve led me to a dead end in a neighborhood completely sealed off by connected buildings, some businesses like a coin laundry, most of the others residential. The cul-de-sac didn’t appear to have any exit than the way I came, until I spotted what looked like one on the third floor up a mesh ladder, followed by the traditional kind from the second level. Surprisingly no fear of heights. An Indian woman called for her boys Xavier and Shervin, neither of which I recognized as Hindi names. A prominent radio antennae stood on the roof.